Through Books, You Can Travel
One of my favorite aspects about reading novels is that they allow us to travel to places we may never get to experience, at least not the same way the author sees them. Books such as Adriana Trigiani’s The Shoemaker’s Wife or Alice Hoffman’s The Museum of Extraordinary Things—two books I can’t and have no desire to get out of my head—submerge us into different aspects of the world and see it through their eyes.
As another example, who reads Maeve Binchy’s novels and doesn’t want to go to Ireland? Who reads anything by Rosamunde Pilcher and doesn’t want to visit England and the villages of Cornwall?
On the flip side, as a writer myself, I welcome the opportunity to incorporate a place into my stories by offering readers the most accurate description of what that place entails. When I do my research, I take a lot of notes. I also take a lot of photographs to jog my memory when I begin to write and tell my stories. For my latest novel that is set on the Eastern Shore of Maryland—particularly in the towns of Oxford, St. Michaels, and Easton—I spent a lot of time exploring and writing impressions, anecdotes, and talking to people. Getting things right, and using places that actually exist as the storyline unfurls is important to me and offers readers that realistic feel. I take writing about places as seriously as I do developing my characters. In fact, I think of the places as characters in the story.
Additionally, I instruct a Special Topics course at my university in Travel Writing, and I implore students to document their travels as it makes their writing come alive. Taking the time to recount what you’ve learned, seen, and experienced allows you to bring everything to life. Travel journals are awesome, and I love them, but any piece of paper will do.
If you read either my first novel called Beneath the Mimosa Tree that I set in Annapolis, Maryland or Inn Significant, my latest novel that I set on the Eastern Shore, I would love to hear your feedback.
Did I get the places right? Could you “see” them as you were reading? And, did you travel there via the novel?
I surely hope I succeeded.
Stephanie Verni is Professor of Business Communication at Stevenson University and is the author of the newly released Inn Significant, Baseball Girl, and Beneath the Mimosa Tree. Along with her colleagues Leeanne Bell McManus and Chip Rouse, she is a co-author of Event Planning: Communicating Theory and Practice, published by Kendall-Hunt. To visit Stephanie’s Amazon Author page and see her books, click here.